What Quality of a Work of Art Describes Its Structure or Shape?

The elements of fine art are components or parts of a work of fine art that can be isolated and divers. They are the building blocks used to create a piece of work of art.

The listing below describes each element of fine art. Larn about the principles of design hither.

Download a student handout containing a list of the elements of art and their definitions. (PDF, 168KB)

Line

A line is an identifiable path created by a point moving in space. It is ane-dimensional and can vary in width, management, and length. Lines oftentimes define the edges of a form. Lines tin can be horizontal, vertical, or diagonal, straight or curved, thick or thin. They pb your eye around the composition and tin communicate information through their character and direction.

Horizontal lines propose a feeling of remainder or repose because objects parallel to the world are at rest. In this mural, horizontal lines as well help requite a sense of infinite. The lines delineate sections of the landscape, which recede into space. They likewise imply continuation of the landscape across the picture show plane to the left and right.

Vertical lines often communicate a sense of top because they are perpendicular to the earth, extending upwards toward the sky. In this church interior, vertical lines advise spirituality, rising beyond human reach toward the heavens.

Horizontal and vertical lines used in combination communicate stability and solidity. Rectilinear forms with 90-degree angles are structurally stable. This stability suggests permanence and reliability.

Diagonal lines convey a feeling of movement. Objects in a diagonal position are unstable. Because they are neither vertical nor horizontal, they are either about to fall or are already in move. The angles of the ship and the rocks on the shore convey a feeling of movement or speed in this stormy harbor scene.

The curve of a line tin can convey energy. Soft, shallow curves call up the curves of the human torso and often have a pleasing, sensual quality and a softening effect on the composition. The border of the pool in this photograph gently leads the eye to the sculptures on the horizon.

Shape and form

Shape and form ascertain objects in space. Shapes have two dimensions–tiptop and width–and are usually defined by lines. Forms exist in 3 dimensions, with height, width, and depth.

Shape has only acme and width. Shape is unremarkably, though not always, defined by line, which tin provide its contour. In this epitome, rectangles and ovals boss the composition. They describe the architectural details for an illusionist ceiling fresco.

Course has depth as well as width and height. Three-dimensional form is the basis of sculpture, article of furniture, and decorative arts. Three-dimensional forms can be seen from more than than one side, such as this sculpture of a rearing horse.

Geometric shapes and forms include mathematical, named shapes such as squares, rectangles, circles, cubes, spheres, and cones. Geometric shapes and forms are frequently man-made. Nonetheless, many natural forms also take geometric shapes. This cabinet is busy with designs of geometric shapes.

Organic shapes and forms are typically irregular or asymmetrical. Organic shapes are frequently found in nature, but homo-made shapes can also imitate organic forms. This wreath uses organic forms to simulate leaves and berries.

Infinite

Real infinite is iii-dimensional. Space in a work of art refers to a feeling of depth or iii dimensions. It can also refer to the artist'southward utilize of the area within the picture aeroplane. The area around the main objects in a work of art is known as negative space, while the space occupied by the primary objects is known every bit positive infinite.

Positive and negative infinite
The human relationship of positive to negative infinite can greatly affect the impact of a work of art. In this drawing, the man and his shadow occupy the positive infinite, while the white space surrounding him is the negative infinite. The disproportionate corporeality of negative space accentuates the effigy's vulnerability and isolation.

Three-dimensional space
The perfect illusion of three-dimensional space in a two-dimensional piece of work of fine art is something that many artists, such every bit Pieter Saenredam, labored to achieve. The illusion of space is achieved through perspective drawing techniques and shading.

Color

Light reflected off objects. Colour has 3 main characteristics: hue (red, dark-green, blue, etc.), value (how light or dark it is), and intensity (how bright or irksome it is). Colors can be described as warm (red, yellowish) or absurd (bluish, gray), depending on which end of the color spectrum they autumn.

Value describes the brightness of color. Artists use color value to create different moods. Dark colors in a composition suggest a lack of light, as in a night or interior scene. Dark colors can frequently convey a sense of mystery or foreboding.

Light colors often describe a calorie-free source or light reflected within the composition. In this painting, the nighttime colors propose a dark or interior scene. The artist used low-cal colors to describe the light created by the candle flame.

Intensity describes the purity or strength of a color. Bright colors are undiluted and are ofttimes associated with positive free energy and heightened emotions. Boring colors have been diluted by mixing with other colors and create a sedate or serious mood. In this epitome the artist captured both the seriousness and the joy of the scene with the deadening grayness stone interior and the bright red curtain.

Texture

The surface quality of an object that we sense through touch. All objects have a concrete texture. Artists tin can likewise convey texture visually in ii dimensions.

In a two-dimensional work of fine art, texture gives a visual sense of how an object depicted would feel in real life if touched: hard, soft, crude, smooth, hairy, leathery, sharp, etc. In three-dimensional works, artists use actual texture to add a tactile quality to the piece of work.

Texture depicted in two-dimensions
Artists use color, line, and shading to imply textures. In this painting, the man's robe is painted to simulate silk. The power to convincingly portray fabric of different types was one of the marks of a nifty painter during the 17th century.

Surface texture
The surface of this writing desk is metal and hard. The hard surface is functional for an object that would have been used for writing. The smooth surface of the writing desk-bound reflects light, calculation sparkle to this piece of piece of furniture.

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Source: https://www.getty.edu/education/teachers/building_lessons/formal_analysis.html

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